TV and movies are one way that people make sense of the world, USC Annenberg’s Paolo Sigismondi notes — but they can be inaccurate, incomplete or misleading.
CBS’ United States of Al is about a vet adjusting to civilian life and the interpreter who served with his unit in Afghanistan. To one USC student, it’s a familiar story.
While film productions paused and movie theaters shuttered entirely, streaming services grew by leaps and bounds. USC experts examine what this means for all things entertainment.
A 30-year USC/Purdue study finds that television news and ESPN’s SportsCenter continue to ignore women’s sports — and online media coverage isn’t much better.
The prize, in its 33rd year, honors the author and screenwriter of the year’s best adaptation of the printed word into film and episodic television.
The awards honor the year’s most accomplished film and episodic series adaptations, as well as the works on which they are based.
This list of 15 movies and shows, compiled by the Media Institute for Social Change at the USC School of Cinematic Arts, highlights the stories that traumatized, moved and inspired us this year.
Research from USC Annenberg’s Norman Lear Center found that, though many televised depictions involved crime or undocumented individuals, authentic immigration storylines can help foster inclusive attitudes.
Some students literally wept when they found out Trojan Vision was shutting down. Then they started flexing their creative muscles and figuring out how they could get back on the air.
Early stints on Jeopardy! and Who Wants to Be a Millionaire fed Ken Basin’s love for Hollywood, where he now oversees business affairs for Paramount Television Studios.
Thanks in part to her time at USC Annenberg, Noriko Kelley now heads primetime scheduling for CBS, the country’s most-watched broadcast network.
Greta Gerwig’s film Little Women and Phoebe Waller-Bridge’s television series Fleabag were both recognized at the 32nd annual ceremony, as was author Susan Orlean.
The awards honor the year’s most accomplished film and television adaptations, as well as the works on which they are based.
Garrett Reisman, professor of astronautics at USC Viterbi, chronicles his contributions on the set of the Apple TV Plus series For All Mankind.
Inda Craig-Galván, who has worked as both an acclaimed playwright and a TV writer, credits her master’s from the USC School of Dramatic Arts with opening her eyes to new writing opportunities.
An USC psychology professor explains how this beloved children’s show uncovered the secret to educational success.
A new study from Stacy Smith and the USC Annenberg Inclusion Initiative found more inclusion in film in 2018, including a rise in female leads, but noted that more progress is needed.
A new USC Annenberg study examines the ecosystem of the animation industry and finds pluses and minuses for women in the field.
The Lost L.A. Curriculum Project will bring together Southern California educational and media organizations to create lesson plans that pull from the city’s rich history.
A new study from the USC Annenberg Inclusion Initiative finds popular media underrepresents and misrepresents characters with mental health conditions.
The two-time Academy Award winner shared his thoughts on acting, hope, motivation and life as part of the USC Annenberg-HBO Diverse Voices Series.
Whether you’re a Stark, a Lannister or a Targaryen, nothing would help more in the Game of Thrones than a mastery of the letters, arts and sciences. USC Dornsife experts explain why.
A hefty lineup of comedic Trojans — including Will Ferrell ’90 — have made their mark on the iconic show.
As the Oscars near, USC anthropologist and playwright Dorinne Kondoto argues that we all need to be ”mirrored” in popular culture, media and the arts.