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Music from Hopscotch, the world’s first mobile opera, comes to USC

Concert brings the sights and sounds of L.A. to life, giving the audience a chance to speak with creators of the offbeat opera

A visitor to downtown Los Angeles in November 2015 might have caught some unusual sights — a winged angel dancing under an Arts District bridge, a pair of horn players heralding from the heights of a factory roof or a woman singing her heart out to the L.A. River. Even stranger still, one might have noticed these curious scenes repeating themselves to eager onlookers, every 10 minutes, for hours on end.

Hopscotch, the world’s first mobile opera, came to Los Angeles last fall, leading audiences on a theatrical goose chase across 25 downtown locations in 24 cars and limousines, encountering some 126 performers and musicians in a story created by six writers, six animators and six composers. The New Yorker’s Alex Ross called it “one of the more complicated operatic enterprises to have been attempted since Richard Wagner staged The Ring of the Nibelung in 1876.”

Among the project’s artistic team were more than 20 students, faculty and alumni of the USC Thornton School of Music, including faculty composers Veronika Krausas and Andrew Norman. On Friday, they’ll help bring the sprawling portrait of Los Angeles to the stage in a special concert of music from Hopscotch, presented by USC Visions and Voices: The Arts and Humanities Initiative.

“‘Hopscotch in Concert’ celebrates our album release of the music of Hopscotch and offers audiences a chance to hear some of the great music live,” said Yuval Sharon, artistic director of The Industry, the independent, artist-driven company behind the opera. “Audiences will also have an opportunity for an intimate talk with me and the other creators of the opera at the end of the concert.”

Featuring live music by Krausas, Norman, Marc Lowenstein, Ellen Reid, David Rosenboom and Andrew McIntosh ’12, the event also marks the launch of a new interactive website that allows visitors to experience each of the opera’s 36 chapters as they wind through Chinatown, the Bradbury Building, Elysian Park, Boyle Heights and beyond.

The concert will be preceded by “What Does Hopscotch Sound Like?,” a panel discussion featuring the opera’s creative team and distinguished local arts journalists, hosted by the USC Annenberg School for Communication and Journalism.

The sounds and stories of L.A.

USC’s collaboration with The Industry is just one of many projects that signal a renaissance of new music in Los Angeles. “Hopscotch in Concert” comes on the heels of a USC Thornton Edge performance with wild Up and a series of student commissions by the Kaleidoscope Chamber Orchestra. In March, the Polish Music Center welcomes the innovative gnarwhallaby ensemble for a special program of avant-garde music.

Although Friday’s Hopscotch event will explore the world’s first mobile opera from the decidedly stationary perspective of Newman Recital Hall, the stories, sounds and streets of Los Angeles will remain the stars of the show.

“You get this wonderful sense of adventure,” Krausas said. “It’s rediscovering your city as a tourist … It’s very magical in that way.”

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Music from Hopscotch, the world’s first mobile opera, comes to USC

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